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OPEN Acrylic Medium (Gloss) is formulated to a lower the viscosity of the paint and is used to extend and maintain its properties when a more fluid mixture is desired.

OPEN Acrylics remain wet for much longer than other acrylics, which greatly facilitates blending, softening, shading, glazing and fine detail. The drying time varies with how thickly the paint is applied. Thicker applications may be worked for hours.

OPEN Acrylic Gel (Gloss) is the same consistency as the colours and is used to extend the paints while maintaining working properties.

OPEN Acrylics remain wet for much longer than other acrylics, which greatly facilitates blending, softening, shading, glazing and fine detail. The drying time varies with how thickly the paint is applied. Thicker applications may be worked for hours.

OPEN Thinner contains no binders and is used to thin the consistency of paint mixes without altering open time. It is also used to maintain and adjust the workability of colours on the palette without the use of water mist and moisturizing palettes.

OPEN Acrylics remain wet for much longer than other acrylics, which greatly facilitates blending, softening, shading, glazing and fine detail. The drying time varies with how thickly the paint is applied. Thicker applications may be worked for hours.

Take a tour of the GOLDEN acrylic line! Have you always wanted to explore GOLDEN acrylics and mediums at an affordable price-point? This set contains a a comprehensive assortment of 30 professional artist's paints and mediums, perfect for experimenting with GOLDEN's favourite acrylic products.

Experience the unique properties of Heavy Body, Fluid, OPEN and High Flow Acrylic Colors, as well as a range of Pastes, Gels, and Mediums. The set comes with an instructional guide that you can follow to increase your understanding of these top-quality products.

Set Includes:

• 15 ml: Fluid Hansa Yellow Light, Fluid Quin./Nickel Azo Gold, Fluid Green Gold, Fluid Teal, Fluid Titanium White, High Flow Indigo (Anthraquinone), High Flow Fluorescent Pink, High Flow Iridescent Silver (Fine), Clear Tar Gel, Soft Gel (Gloss), Heavy Gel (Matte), Molding Paste, Light Molding Paste, Crackle Paste, Glass Bead Gel, and Fiber Paste
• 30 ml: Heavy-Body Hansa Yellow Medium, Heavy-Body Quinacridone Magenta, Heavy-Body Ultramarine Blue, Heavy-Body Titanium White, Heavy-Body Iridescent Gold (Fine), OPEN Alizarin Crimson Hue, OPEN Phthalo Blue (Green Shade), OPEN Indian Yellow Hue
• 59 ml: Absorbent Ground (White), Acrylic Ground for Pastels, Acrylic Glazing Liquid (Gloss), Polymer Medium (Gloss), Matte Medium, OPEN Thinner
• Instruction Guide (Item # 963-0)

OPEN Acrylics remain wet for much longer than other acrylics, which greatly facilitates blending, softening, shading, glazing and fine detail. The drying time varies with how thickly the paint is applied. Thicker applications may be worked for hours.

The unique properties allow them to be used with both synthetic and natural fiber brushes. Try them for portraiture, plein air painting, monoprinting, and screenprinting. Use these paints with OPEN Mediums for ultimate control or with other Golden products for an unparalleled range of working options.

OPEN Acrylics remain wet for much longer than other acrylics, which greatly facilitates blending, softening, shading, glazing and fine detail. The drying time varies with how thickly the paint is applied. Thicker applications may be worked for hours.

The unique properties allow them to be used with both synthetic and natural fiber brushes. Try them for portraiture, plein air painting, monoprinting, and screenprinting. Use these paints with OPEN Mediums for ultimate control or with other Golden products for an unparalleled range of working options.

OPEN Acrylics remain wet for much longer than other acrylics, which greatly facilitates blending, softening, shading, glazing and fine detail. The drying time varies with how thickly the paint is applied. Thicker applications may be worked for hours.

The unique properties allow them to be used with both synthetic and natural fiber brushes. Try them for portraiture, plein air painting, monoprinting, and screenprinting. Use these paints with OPEN Mediums for ultimate control or with other Golden products for an unparalleled range of working options.

Get a head start with GOLDEN acrylics! This starter set of 14 contains samples of GOLDEN's Heavy Body Acrylics, OPEN Acrylics, Fluid Acrylics, and High Flow Acrylics, as well as an assortment of acrylic gels and mediums, ideal for trying out a wide assortment of GOLDEN products at an economical price.

Set Includes:

• 15 ml: Fluid Quin./Nickel Azo Gold, Fluid Iridescent Bright Gold (Fine), Fluid Teal, High Flow Indigo (Anthraquinone), High Flow Fluorescent Pink
• 30 ml: Heavy Body Hansa Yellow Medium, Heavy Body Quinacridone Magenta, Heavy Body Titanium White, OPEN Alizarin Crimson Hue, OPEN Phthalo Blue/G.S.
• 59 ml: Clear Tar Gel, Heavy Gel (Matte), Light Molding Paste, Polymer Medium (Gloss)
• Instruction Guide (Item # 962-0)

Give harsh solvents the boot with Gamblin's Solvent-Free Safflower Oil. This pale, slow-drying oil can be used both as a painting medium and as a quick brush cleaner, supplemented by Gamsol or soap and water for a deeper and less frequent clean.

As a painting medium, Safflower Oil increases flow and open time. Use sparingly, or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium.

Available in 4 oz, 8 oz, and 16 oz sizes.

Give harsh solvents the boot with Gamblin's Solvent-Free Safflower Oil. This pale, slow-drying oil can be used both as a painting medium and as a quick brush cleaner, supplemented by Gamsol or soap and water for a deeper and less frequent clean.

As a painting medium, Safflower Oil increases flow and open time. Use sparingly, or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium.

Available in 4 oz, 8 oz, and 16 oz sizes.

Please note that the 8 oz is pictured above.

Originally designed for use by faux finishers, this medium is great for use by painters to increase the open drying time of acrylic paint.

Originally designed for use by faux finishers, this medium is great for use by painters to increase the open drying time of acrylic paint.

Originally designed for use by faux finishers, this medium is great for use by painters to increase the open drying time of acrylic paint.